Museum of African American History and Culture Raises $410 Million Dollars

National Museum of African American History and Culture
Groundbreaking – National Museum of African American History and Culture

On Monday night March 24, 2014, in a reception room on the 52nd floor of the 55 story Bank of America Tower in Manhattan, the Bank of America, represented by its’ Chief Executive Officer Brian Monyhan and other top executives, hosted a very special reception.  The occasion  celebrated the birth of the new Museum of African American History and Culture now under construction on the National Mall in Washington, D.C.. Brian Monyhan opened the reception by announcing the Bank’s decision to contribute an additional 1 million dollars toward the project’s 500 million dollar budget. This contribution brings the total amount contributed by Bank of America to 2 million dollars and the total amount raised thus far for the project to 410 million dollars of the 500 million dollar budget. Groundbreaking for the museum took place 4 months ago and construction is well underway.

View from 52nd Floor Reception Room
                                            View from 52nd Floor Reception Room

To commemorate the celebration, and in addition to the 1 million dollar contribution, Monyhan announced the gift to the museum of “Daufuskie Island”, the exhibition of photographs produced by Jeanne Moutoussamy-Ashe during her photographic documentation of the Gullah culture thirty five years ago. The Gullah community had thrived as a society of freed African people who had been enslaved during the antebellum years on the sea islands off the coast of South Carolina. The slaveholders moved away from the islands during the civil war leaving the plantations in the care of the formerly enslaved Gullah people. At the close of the Civil War the Gullah people were given the opportunity to buy plots of land that had been subdivided by the union army for this explicit purpose. This community grew and prospered on the islands for many years in relative isolation after the war ended. In so doing the Gullah people were able to preserve “more of their original African language,  and cultural heritage than any other community in the United States”. During the early twentieth century a series of natural disasters along with increasing contact with the outside world brought attention to the islands. Jeanne Moutoussamy-Ashe  began the work of documenting the Gullah culture in 1977-1981 as the Gullah culture was about to be completely absorbed into the twentieth century world of tourism and mega-resorts. Twenty-five years later a collection of Moutoussamy-Ashe’s photographs was sponsored by Merrill Lynch as a traveling exhibition of the Gullah culture.  The book “Daufuskie Island: Photographs by Jeanne Moutoussamy-Ashe” with Foreword by Alex Haley, was originally produced to accompany the traveling exhibition. This book has been updated  with additional photographs from Moutoussamy-Ashe’s collection, a new Preface by Deborah Willis, Ph.D., and an epilogue by Jeanne Moutoussamy-Ashe.  The work came into the possession of Bank of America when the company acquired Merrill Lynch in 2009.  As a result of the Bank of America’s gift of the exhibition to the museum this unique and priceless work of art by Jeanne Moutoussamy-Ashe, depicting the Gullah culture and the memory of the Gullah people, will now be preserved and secured into the distant future at the National Museum for African American History and Culture.

Construction Site - Museum of African American History and Culture
Construction Site – Museum of African American History and Culture

Lonnie Bunch, Director of the new museum, the man for whom the reception was held, spoke to the A-list gathering of board members, financial executives, business entrepreneurs, wealthy contributors, and to the scholars, historians, and artists who study and produce work in the African American culture, about his journey and his vision for the future of the museum.

In 2003 the indefatigable Congressman John Lewis, after 18 failed attempts, succeeded in moving his fellow congressmen to pass the act that created the National Museum of African American History and Culture as one of the museums that make up the Smithsonian Institution. The congressional act provided for the appropriation of $250 million in federal construction financing  with another $250 million to come from the private sector to complete the $500 million budget.  The museum is to be devoted exclusively to the documentation of African American life, art, history, and culture.

Lonnie Bunch was named as the founding director of the new museum. Bunch is no neophyte to the museum business. During the 1980’s he was curator and program manager for the California Afro American Museum in Los Angeles which he helped to build. He has taught at George Washington University in Washington, D.C. and the University of Massachusetts at Dartmouth. Bunch left his position as head of the Chicago  Historical Society in 2005 to take the position of Director of the National Museum of African American History and Culture. Now, nine years later, enough money has been raised to start the construction of the 380,000 sf, 5 story structure on the 5 acre site next to  the Washington Monument at the National Mall.  Construction completion is projected for early 2016.

It is worthwhile now to applaud the monumental achievement of Lonnie Bunch, his staff and all of the collaborators on this project in recognition of  the accomplishment of an amazing task.

This is a major step toward systematically compiling a history of the lives, art, and culture of the African American People. This museum will allow us to collect our artifacts, music, art, and history and to tell our own story for the benefit of future generations. It is very appropriate that the first two artifacts to arrive for installation at the museum are a Jim Crow-era rail car, and a 1930’s guard tower from Angola, the infamous Louisiana State Penitentiary.

I enclose a list of the private contributors toward the 250 million dollars necessary for the completion of the museum development.  As Americans we can be as proud of them as we are of Lonnie Bunch and John Lewis.

The major focus remains on raising the $90 million balance that will be necessary to complete the financing of the museum development.

The Museum begins!

Although construction continues over 30,000 artifacts have been contributed already for exhibition.

   NATIONAL MUSEUM OF AFRICAN AMERICAN HISTORY AND CULTURE

DONNER LIST 

$10 MILLION OR MORE

Oprah Winfrey Charitable Foundation,

Bill and Melinda Gates Foundation

The Lilly Endowment

$5 Million and above 

American Express

Anonymous

The Boeing Company

The Ford Foundation

The Rockefeller Foundation

Target

United Health Group

Walmart

$2 Million or more

Bank of America

Bloomberg Philanthropies

Robert L. Johnson

W.K. Kellog Foundation

The Andrew W. Mellon Foundation,

Carl W. and Amanda Stafford

Time Warner Foundation

United Technologies

The Walt Disney Company

$1 Million or more

3 M

Rodney and Michelle Adkins

Aflac, Incorporated

Dr. and Mrs. T.B. Boyd III and Family/The R.H.

Boyd Company

Caterpillar

Kenneth I. and Catherine Chenault

The Coca Cola Foundation

Goldman Sachs

The Hartford

Melody Hobson and George Lucas

IMB

James A. Johnson

Johnson Publishing Company

JP Morgan Chase

Robert and Arlene Kogod

The Reginal F. Lewis Foundation

The Links Foundation Incorporated

The J. Willard and Alice S. Marriott Family

Foundation

McDonalds Corporation

Jules L. and Juliette McNeil

Morgan Stanlye

Mark and Brenda Moore and Family

Richard D. and Laura A. Parson

Pepsico Foundation

Colin and Alma Powell

The Prudential Foundation

Franklin D. Raines

Arthur and Toni Rembe Rock

Deborah Sara Santana

Gerald B. and Anita Smith Family

Patricia Q. Stonesifer and Michael E. Kinsley

Reginald Van Lee

Craig and Diane Welburn and Family

Anthony and Beatrice Welters