“Out [o] Fashion Photography: Embracing Beauty”

1481165_Seattle_Washington copy“Out [o] Fashion Photography: Embracing Beauty” a new exhibition opens on March 2, 2013 at the Henry Art Gallery in Seattle, Washington. The exhibition is curated by Deborah Willis, Ph.D., Visiting Fellow at the Henry Art Gallery and Chair of the Department of Photography and Imaging at the Tisch School of the Arts, New York University.

The exhibition “…explores historical perceptions of beauty and desire through artistic and ethnographic imagery and the role individual photographers play in constructing ways of seeing. Through the themes of idealized beauty, the unfashionable body, the gendered image, and photography as memory, the exhibition challenges and makes problematic the “reading” of photographic images in the twenty-first century. “Out [o]Fashion Photography: Embracing Beauty” addresses ways in which the Henry Art Gallery and the University of Washington Libraries, Special Collections, have collected all forms of photography in an effort to capture the times depicted.”

Featured artists include Gertrude Käsebier, Lisette Model, Imogen Cunningham, Lewis Hickes Hine, Bruce Davidson, Cecil Beaton, Edward Curtis, Nan Goldin, Andre Kertesz, Lee Friedlander, Lorna Simpson, Cindy Sherman, Andy Warhol, and Carrie Mae Weems.

“Ashe to Amen: African Americans and Biblical Imagery”

Leslie King-Hammond

Leslie King-Hammond opened recently as guest curator at MOBIA in Manhattan with “Ashe to Amen— African Americans and Biblical Imagery at the Museum of Biblical Art in New York City”. “Ashe”, a Yoruba word, refers to the creative power of an artist to make something happen. “Amen” is an affirmation meaning essentially “so be it” also implying that ‘it’ has been done and done well! This is the feeling that I came away with from much of the work in this exhibition. The beautiful piece by Chester Higgins probably most exemplifies this idea…quiet and understated from the first encounter but then growing in statue and power before your very eyes as you see the deeper significance.

Leslie King-Hammond has curated numerous exhibitions including the very imaginative ‘The Global Africa Project’ which explored the impact of African visual culture on contemporary art, craft and design around the world at the Museum of Arts and Design in New York City. Dr. King-Hammond has garnered such prestigious awards as a Lifetime Achievement Award from the Studio Museum in Harlem, a Lifetime Achievement Award from the Women’s Art Caucus-College Art Association, and in 2010 the Alain Locke International Prize, among many others.

The Museum of Biblical Art (MOBIA) provides a beautiful venue for this work. The stated objective of the museum is to ‘provide to the public an interpretation of art through the lens of biblical religions and an understanding of religion through its artistic manifestations’. I believe that this philosophical approach will become increasingly relevant over the coming years and that this venue will benefit greatly from this approach.

Organized by MOBIA, “Ashe to Amen: African Americans and Biblical Imagery” will be on view at MOBIA February 15 – May 26, 2013; at the Reginald F. Lewis Museum of Maryland African American History & Culture June 22 – September 29, 2013; and at the Dixon Gallery and Gardens October 20, 2013 – January 5, 2014.

Major support for MOBIA’s exhibitions and programs has been provided by American Bible Society and by Howard and Roberta Ahmanson. “Ashe to Amen: African Americans and Biblical Imagery” is made possible by the generous support of New York Theological Seminary, the National Endowment for the Arts, Jim and LaFaye Lewis, New York Amsterdam News, and The Andy Warhol Foundation for the Visual Arts.This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. Support for children’s educational programs is provided, in part, by TD Charitable Foundation.

BLACK PORTRAITURE[S]: BLACK BODIES IN THE WEST/ CONFERENCE UPDATE

Ecole Nationale Superieure des Baux-Arts/14 Rue Napoleon/Paris, France
Ecole Nationale Superieure des Baux-Arts/14 Rue Napoleon/Paris, France

‘Black Portraiture[s]: Black Bodies in the West’ The fifth conference in the series opened January 17, 2013 at the Ecole Nationale Superieure des Beau-arts/ 14 Rue Bonaparte/ Paris, France. The registration exceeded all expectations. On a very cold day in Paris all panels were full and the presentations were attended by standing room only conferees. According to the producers:

  • The conference launch was a resounding success, boasting over 350 local and international attendees from Tunisia and Canada, Angola and Denmark, South Africa and Spain. We are thrilled at the turnout and inspired by such lively discussion.

The second session opens today January 18 at 9:00 AM and registration continues until 5:00 PM.

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Conference Registration – Ecole Nationale Superieure des Beaux-Arts, Paris, France.

 

 

 

 

 

 

The producers  have chosen the beautiful École Nationale Supérieure des Beaux-Arts (ENSB-A), the distinguished National School of Fine Arts in Paris, France as the site for registration.  Throughout history, many world-renowned artists have either taught or studied at this institution.

Panelists on January 18 include:

Cheryl Finley, Cornell University:

Pamela Newkirk, NYU

Roshini Kempadoo, University of London

Isolde Brielmaieer, Chief Curator, SCAD Museum of Art/SCAD Galleries: Chair

Carrie Mae Weems, Artist, JackShainman Gallery, New York

Mark Anthony Neal, Professor of Black Popular Culture, Duke University

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Conference Attendees Listen to a Presenter

Sandra Jackson-Dumont, Seattle Art Museum, Chair

Robert O’meally, Columbia University

Mimi Plange, Fashion Designer

Michaela Angela Davis, Writer fashion expert and image activist

and many others from throughout the western world.

 

‘Black Portraiture(s): The Black Body in the West’

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The Champs Elysee at the Arc de Triumph

NYU Professor Dr. Deborah Willis is among the principal organizers and collaborators to produce ‘Black Portraiture(s): The Black Body in the West’ in Paris, France January 17-20, 2013. The conference is sponsored by Harvard University and NYU among others.   Over 500 scholars and artists have registered to attend. Participants and guests are expected to arrive from many countries including France, US, UK, Germany, Nigeria, Angola, SA, Netherlands and the Caribbean. This conference will be the fifth in the series since 2004.

Black Portraiture(s) explores the ideas of self-representation, desire, and the exchange of the gaze from the 19th century to the present day in fashion, film, art, and the archives. How are these images, both positive and negative, presented to define, replicate, and transform the black body? Why and how does the black body become a purchasable commodity in a global marketplace…and what are its legacies? Also importantly, what should be the responses and implications for the future? How can performing blackness be more liberating for performer and audience? Can the black body be de-racialized to emphasize cultural groupings in encouraging appropriation among varied performers across racial lines?

The conference draws on the ideas and works of leading and emerging writers, photographers, scholars, artists, curators and filmmakers of our time. One aim is to encourage a broader discussion of the contributions from Africa and the African diaspora in the popular discourse. How the black body has been imagined in the West has always been a rich site for global examination and contestation. The representation and depiction of black peoples has  often been governed by locally prevailing attitudes about race and sexuality.

It is both important and significant that this project represents the collaboration among such a diverse group of distinguished international scholars, artists, and intellectuals.

 Event Organizers: Henry Louis Gates, Jr., Deborah Willis, Manthia Diawara, Jean-Paul Colleyn, Lydie Diakhate, Awam Amkpa, Chery Finley, Anne-Christine Taylor-Descola, Anna Laban, Christine Barthe, Caroline Montel-Glenisson, Raissa Laheine, Thelma Golden, and Nicholas Bourriaud.

Brooklyn Museum Roundtable: THE BLACK FEMALE BODY

At the Brooklyn Museum looking to the art of Mickalene Thomas for inspiration, noted scholars discuss issues surrounding the black female body in the context of the art-historical canon. Visitors are invited to join the conversation.

BROOKLYN MUSEUM

Iris and B. Gerald Cantor Auditorium, 3rd Floor              Brooklyn Museum                                                                             Saturday,    January 12, 2013  at 2:00 PM

How has the black female body been idealized and misread in visual culture? How might these tendencies affect black women today?

A tour of the exhibition: Mickalene Thomas Origin of the Universe will precede and follow the discussion at 1 and 4 PM.

  • Speakers include:
  • Deborah “Deb” Willis, contemporary African American artist, photographer, curator, historian, and author; Professor and Chair of the Department of Photography and Imaging at Tisch School of the Arts at New York University
  • Isolde Brielmaier, Chief Curator of Exhibitions at Savannah College of Art and Design (SCAD); writer and lecturer on contemporary art
  • Carla Williams, writer, speaker, coauthor of The Black Female Body: A Photographic History, and other books, Professor of Photographer at Rochester Institute Technology
  • Tisa Bryant, writer who’s multilayered work often traverses the boundaries of genre, culture, and history; School of Critical Studies faculty member and Interim Faculty Co-director for Equity and Diversity at CalArts

Advance purchase is recommended at www.museumtix.com. Museum Members receive free admission; please call the Membership Hotline at 718-501-6326 for reservations.                                                                                        Iris and B. Gerald Cantor Auditorium,                                                                      3rd Floor,                                                                                                             Brooklyn Museum                                                                                                     200 Eastern Parkway                                                                                         Brooklyn, N.Y. 11238-6052